|
Tagline: There is no Plan B.
Carnahan and the Scott brothers say they will use the original premise of the series as the template for an action film. In the original, four Vietnam vets convicted of armed robbery escape from military prison and became do-gooder mercenaries. The Middle East will replace Vietnam as the place the four did their tour of duty, but Carnahan said the origin story is the jumping-off point.
The original series, which ran from 1983-87 and starred George Peppard, Mr. T, Dirk Benedict and Dwight Schultz, followed an unofficial team of Vietnam vets who will stop at nothing to get the bad guys. Sent to prison by a military court for a crime they didn't commit, these four commandos escaped from a maximum-security stockade and now survive in the Los Angeles underground as soldiers of fortune.
Stephen J. Cannell, who created the show, will produce the movie with Jules Daly, Ridley Scott, with Tony Scott executive producing through their Scott Free banner. Also producing are and Stephen J. Cannell, the latter of whom created the original TV series.
About the Story
“The A-Team” was one of the most popular and successful television series to come out of the ‘80s. Created by Stephen J. Cannell and Frank Lupo, the series focused on the exploits of a team of four Vietnam veterans who, sentenced by a military court for a crime they didn’t commit, head underground and become soldiers of fortune. Led by a cigar-chomping Col. John “Hannibal” Smith, played by George Peppard, the team acted on the side of good, while trying to clear their names. The series garnered a large and enthusiastic following.
“‘The A-Team’ series went well beyond being a hit television series. It was a phenomenon,” says series creator Stephen J. Cannell, who is one of the film’s producers. “There were never leading men like those on ‘The A-Team’ on television before. At its core, the series had a simple premise: four guys who are wrongly convicted of a crime decide to go out and help people who can’t help themselves. The need to fight back against injustice is a great subject for a story and audiences responded to the show with fervor. Generations of kids grew up on the series and then a new generation got a chance to see it in reruns and got the same kick out of it.”
Acclaimed filmmaker Joe Carnahan (Narc, Smokin’ Aces), one of the millions who grew up with the show, knew it had a devoted following and recognized the challenges in bringing THE A-TEAM to the big screen. “This was a coveted property and re-imagining a show I remembered as a kid was tough to turn down,” says Carnahan. “We wanted to be respectful of the series for the generation of fans who grew up with it but we also wanted to take THE A-TEAM into the twenty-first century.”
Although studio executives and industry watchers agreed the series’ premise provided great foundation for a major motion picture, the film project gestated for almost a decade with the script going through a number of iterations as writers struggled to avoid the show’s campy nature.
“We’d been trying to get the script right for a long time,” recalls producer and former Twentieth Century Fox senior production executive Alex Young. “If you want a modern movie you have to make it feel bigger and more muscular and make the action sequences compete with the best of today’s blockbusters. Joe Carnahan has a very modern and muscular sensibility and his approach to the material was grittier and more real-world [than the series’].”
When Carnahan came on board, he and writing partner Brian Bloom redrafted the action to take place during the impending troop withdrawal from the Middle East. They drew on the camaraderie and humor at the heart of the series, but ramped up the action, drama, adventure and intensity. Says Carnahan: “The goal with THE A-TEAM was to make a compelling, inventive action movie, but to keep it as emotional, real and accessible as possible. There’s no point in doing this kind of action and adventure if you’re not going to elevate it.”
Carnahan and Bloom felt the material needed to reflect contemporary times and appeal to modern audiences. “The intention was not to abandon the television show and the characters that everyone loved so much, but to evolve and contemporize the story,” says Bloom.
“People are a lot savvier than they were 25 years ago when the show debuted,” adds Carnahan. “If you tried to put the series out today you wouldn’t get away with what they got away with then. At the time, the campy aspect of the show was hugely entertaining but today’s audiences are a lot more sophisticated, so to bring it into this time and this place, the tone and approach had to change to reflect contemporary sensibilities.”
While opting to contemporize the material and elevate the drama, the filmmakers agreed that if the A-Team’s transition to the big-screen was to be successful, the camaraderie that was at the heart and soul of the series would also have to be a key component of the film. Comments Carnahan: “What I always loved about the show wasn’t so much the situational stuff but the camaraderie and the affection these guys had for one another. It wasn’t the wild stories or plot twists that made the show a success, it was the fact that you believed that these four guys genuinely liked one another and really had each other’s backs.”
“What you came to learn was that these guys desperately needed each other to continue, not only emotionally, but technically and tactically,” emphasizes Bloom. “They were definitely a team.”
“People really loved these characters,” says producer Jules Daly. “Sure they were charismatic and funny, but there was also a great sense of affection and connection between the four guys, which the audiences really responded to. We all knew the most critical thing in terms of the film working would be the chemistry between the four leads.”
As the project gained momentum and the script was fine-tuned, the filmmakers turned their attention to casting the “Team.” “There was a lot of debate about where to go with the casting,” recalls Alex Young. “And it was tricky, because when we were getting into it we realized there were a lot of different ways to go; you could look at every male actor over a certain age and make a legitimate case for them being in the film. The one thing we knew was that we wanted the four [actors playing the A-Team] to feel fresh. We didn’t want to just cast the usual suspects and then surround them with a bunch of supporting actors.”
When contemplating casting choices for the pivotal role of Col. John “Hannibal” Smith, the filmmakers felt it was important to find an actor who exuded power, confidence and authority – along with a razor-sharp sense of humor. As The A-Team’s leader, Hannibal is a master tactician who is always a step ahead of the enemy. He keeps his team out of trouble, but his unconventional methods rarely lead to a predictable conclusion. No matter the scheme, he loves it when a plan comes together.
Oscar-nominated actor Liam Neeson is best known for his dramatic turns portraying characters with great physical presence and humanity, but it was his acclaimed action-hero performance in the global hit Taken that led the filmmakers to see Hannibal was a natural fit for the actor. Says Jules Daly: “Liam is sexy, fit, and strong and brings gravitas to the role. I think when Liam came on board, he set the tone as to where the project was going.”
“No matter what the role, Liam shows different facets of himself and the characters he plays, and he does it with integrity, passion and honesty,” says Carnahan. “Liam brings the right combination of intelligence and strength to the character. It’s easy to believe that his men love, trust and respect him.”
In describing what attracted him to the role of Hannibal Smith, Neeson states: “I was really taken with the relationship between the four guys that [co-screenwriters] Joe [Carnahan] and Brian [Bloom] managed to keep at the heart of the script. Clearly a lot of thought had gone into the story and characters, and the script had a wonderful camaraderie between the guys. Hannibal is a believable hero. He’s moral, has a strong sense of ethics and loves his country and his men.”
While Neeson was pleased the opportunity to play the master tactician, he struggled with the fact that he would also have to embrace his character’s trademark stogie. “As an ex-smoker, I felt conflicted about the cigar,” admits the actor. “But I understood why the writers kept the conceit; it does add a contentment to Hannibal’s character when a plan is going well and he pulls out a cigar and lights it. There’s a feeling of oneness with the world when he lights that match that I totally empathize with, and I understand there were certain scenes where we had to have the stogies, but obviously we don’t want kids to emulate this.”
Lt. Templeton “Face” Peck is the A-Team’s con man and go-to guy when it comes to getting what they need when they need it. He uses his good looks and charm to scam and hustle his way to the prize and to live the good life. Face can talk anyone – especially women – out of (or into) anything he wants. To bring the role of Face to the screen, the filmmakers tapped Bradley Cooper, whose starring role in the comedy smash The Hangover cemented his reputation as one of the hottest talents of his generation. “When Bradley expressed an interest in playing Face, I didn’t see the point in looking any further,” recalls Carnahan. “You know when you hit it off with someone right away and you think, okay, this is probably going to be one of my lifelong friends. That was the vibe I got with Cooper immediately. A lot of actors talk a big game, but they don’t deliver. Bradley gives it his all 100 percent of the time. He’s a great guy with a great sense of humor and I think he brings a new dimension to the role.”
“Aside from being enormously clever, seductive and handsome, the character of Face needed to be really likable and charming; qualities Bradley has in spades,” asserts Daly. “He’s a tremendously appealing guy and looks the part physically, so you can believe him when he gets into action. It was just a really terrific fit.”
It wasn’t a difficult decision for Cooper to tackle the role. “It’s always been a dream to do a big action movie,” recalls the actor. “I love sports and I love pretending to fight. And to take on such an iconic show, one that I grew up on, and to do so besides the likes of Liam Neeson, is just amazing.” Cooper particularly enjoyed that the role gave him the opportunity to be a part of some physically demanding action scenes. To make sure he was up to the task, Cooper adopted a strict diet and rigorous training regimen – which included doing ‘The Grouse Grind” a grueling speed-hike up 2,800 feet of Vancouver’s Grouse Mountain.
“I keep pretty fit, but I had to up the ante for this film,” says Cooper. “Action scenes are tricky and take an enormous amount of energy. You have to pay close attention to so many things – your body position, how you move when you fight, and how you move when you handle a gun. Face is a soldier; he doesn’t mind getting a little rough so I had to be ready for the physical stuff.”
The “crazy” to Face’s “cool is “Howlin’ Mad” Murdock, one of the best chopper pilots to emerge from Desert Storm. If it’s got rotors, Murdock can fly it. He has a genius I.Q. and knows everything about anything. He’ll impersonate a surgeon or a prince with a moment’s notice – and you’ll believe him. Murdock’s record reports him as being officially mentally unstable, and sometimes he’s scarily convincing at it. He doesn’t run from trouble; instead, he’ll plot a course directly for it.
Producer Jules Daly first took notice of Sharlto Copley when she saw an early cut of District 9. “I loved what Sharlto did with the Wikus character; he had a quirkiness I thought would be perfect for the role of Murdock” recalls Daly. The filmmakers asked Copley, who was on a promotional tour for District 9, to put a few scenes of how he thought Murdock would act on tape and to send it to them. The rest, as they say, is history.
The idea of playing one of his childhood heroes on the big screen appealed to Copley. “The ATeam was my favorite show as a kid and Murdock was my favorite character,” he says. “So to play him was like a dream come true.”
A master of improvisation, Copley embraced the creative atmosphere on the set, developing comic bits and expanding his character beyond what was on the page. “What really excited me was the dangerous element to Murdock’s character – the dangerousness combined with the humor,” explains Copley. “You never really know if he’s really crazy of if he’s just putting it on. Because he’s such a wacky character, you can have a lot of fun with his scenes. He’s unique.”
It was Copley’s idea to give his character a Southern accent. “Sharlto has a definite South African accent, but there’s not a shred of this in the movie,” says Carnahan. “He’s doing this Texas Panhandle twang that is really something. You just can’t exhaust his imagination in terms of what he will give you. His whole attitude was that Murdock is nuts, so Sharlto had to be a bit nuts, too. I think people are going to love what he’s done with the role.”
Rounding out the quartet is B.A. Baracus, an extraordinarily skilled driver and mechanic who can work on the fly to create highly functional machinery out of ordinary parts. He is also a tough-as-nails fighter who “brings it” when it comes to hand-to-hand combat. He has a short fuse, so do not get him angry. He fears no one and nothing – except for getting on a plane.
The role of B.A. Baracus was the hardest to cast because, out of all the original TV characters, B.A. had the most iconic qualities. Comments Alex Young: “[When we were developing and casting the movie], the first question everyone asked was ‘Who’s playing B.A. in the movie?’ It was a signature role in the way that you don’t have a lot of signature roles anymore and everyone wanted the part.”
The filmmakers were looking for was someone who was not afraid to make the role of B.A. his own. Following an exhaustive search, they cast former UFC light heavyweight champion Quinton “Rampage” Jackson. Recalls Carnahan: “We brought Rampage to Vancouver to screen test him and he just nailed it. He was so unbelievably good in the scene he read: There’s a moment in the movie where B.A. takes a vow and Rampage delivered it so perfectly that we were all just blown away.”
Jackson notes that some of his fondest memories growing up are of watching the original series with his father. “I used to bond with my father watching ‘The A-Team’ as a kid, it was cool; we used to try to build crazy stuff, like the show’s characters did, right in front of our TV,” recalls Jackson. “So my take on B.A. is really actually me and my dad put together. Joe told me to ‘put my own stank’ on it, which is what I did.”
From the very beginning, the chemistry and camaraderie between the four actors was strong both on and off the screen. Comments Jules Daly: “The guys clicked right away; they really complement one another. They are, in every sense of the word, a team. And that, for us, was probably the most critical thing in terms of the film working. We knew that if the chemistry was right, we’d have a wonderful movie.”
“I think the actors are perfectly cast,” states Cannell. “I don’t know how we could have done any better. Liam, Bradley, Sharlto and Rampage have captured the essence of what people loved about the original characters, but at the same time, are making the roles completely their own.”
Joining Neeson, Cooper, Copley and Jackson in the starring cast are Jessica Biel and Patrick Wilson. Biel portrays Charissa Sosa, a captain with the military’s Defense Criminal Investigation Service unit. Extremely capable, independent and focused, Sosa – who shares a complicated dating history with Face – becomes his and the Team’s number one problem as their chief pursuer. “Sosa is a dynamic component in the story and we needed someone who could step up to the role,” says Carnahan, “Jessica is sharp, astute, intuitive and notoriously funny, sexy and smart – all qualities I felt the Sosa character had to have. I knew Jessica wouldn’t have any problem holding her own among these guys.”
Biel says she was immediately drawn to the character. “Joe was emphatic that Sosa wasn’t going to be the testosterone-laden female element of the story, and she isn’t. It’s sometimes hard to get the right balance of femininity and strength in a role like this, but she’s cool and savvy and so skilled that she could probably be a member of the A-Team, but she’s also extremely comfortable with who she is and as such, is not afraid to show her feminine side.”
Patrick Wilson stars as CIA operative Lynch, a key player in the Team’s most explosive mission. “Little is know about Lynch,” says Wilson of his character. “Is he a good guy? Is he trustworthy? Is he a villain? I typically play such solid earnest characters that it’s been fun for me to play someone who’s a bit of a mystery man. We just keep peeling away the layers and by the end you see what he’s become.”
About the Production
With the cast in place, Joe Carnahan worked with his department heads to create some unforgettable big screen action sequences. “We were constantly throwing around ideas to come up with fresh and original ways to ramp up the action, adventure and intensity,” says Carnahan.
A stickler for realism, Carnahan sought out the services of Paul Maurice, a military advisor with extensive wartime experience to train the cast in the use of a wide array of weapons, and turn the actors into a Special Forces unit. “The actors were taught very advanced gun fighting because Joe wanted to bring a new level of action and gunplay to the film,”explains Maurice. “We took the cast from basic classroom weapon handling and safety to what we call Type 1, Type 2 and Type 3 malfunctions, which is much more advanced than typical training for actors. The level of gun fighting taught was buddy/buddy training so they were able to pull guns, shoot very close-quarter and very long range battle and move efficiently as a team and fire right next to one another with absolute trust. The cast took their training seriously and by the end became exceptionally proficient in shooting, running, clearing the weapons, doing mag changes and moving and fighting with a gun.”
“Joe really wanted us to know what we were doing so he could shoot the scene and not have to make quick cuts, he wanted it to look real and for the four of us to really function like a team,” says Copley. “And when you’re being trained by a guy who’s literally going off and coming back wounded from Afghanistan, it makes you think a little more about what you’re doing and what would actually be involved; it brings it close to home, that you are portraying a glamorized version of what real guys are doing on a daily basis. So we all felt it was important to respect that and be as accurate as possible.”
Principal photography on THE A-TEAM began September 14, 2009 in a desert-like region outside Cache Creek, British Columbia. Chosen for its topographical similarity to the Mexican desert, the location where the filming unit spent the first week working was made all the more realistic when high winds created blinding dust storms that sandblasted everyone and everything on the set.
The second week saw the company filming at a former Sanitarium in Kamloops, which stood in as the location for the Mexico Army Meddac Hospital where the Team meets Murdock. The company then moved back to Vancouver, which provided the backdrop for much of the film’s action as well as the soundstages where a number of the larger sets were constructed.
Over the course of the four-month shoot, production designer Charles Wood and his team designed, constructed and dressed over 120 different sets and locations, transforming Vancouver and its environs into, at varying times, the Middle East (Baghdad and Kabul), Europe (Frankfurt, Munich, Mannheim, Zurich, Oslo, the North Sea, the mid-Atlantic), and the Americas (Sonora, Los Angeles, Washington, Pensicola, Lake Tahoe, Boulder). “Joe wanted a global feel for the action and, somewhat to our amazement, we were able to find locations that would cover the diversity of Baghdad, Mexico, Germany, all within a few hours ride from the center of Vancouver,” says Wood.
One of the pivotal sets, a Forward Operating Base outside of Baghdad, was constructed on a large, isolated, sandy building site near Vancouver. The filmmakers chose the area for its flat, wide expanses and clear skyline, which, with weeks of construction, painstaking attention to military set dressing, and the addition of a few palm trees, was eventually transformed into what the crew jokingly referred to as “Baghdanada.”
The new Vancouver Convention Center was transformed into the Frankfurt Central Train Station. “The Convention Center had a modernism to it that was similar to buildings we had seen in Germany. It had a great cat and mouse geography to it – lots of mid-ground and opportunities for people to appear from different areas in the set – which was applicable to the scene,” explains Wood. “Joe and [director of photography] Mauro [Fiore] are not static filmmakers; they really like to keep the camera moving so you have to be very conscious of that when choosing or designing an environment.”
Around the corner from the Convention Center, a second unit crew spent days outside the Bentall Building and Park Place on Burrard Street in downtown Vancouver filming high-octane stunt sequences including one which had Brian Bloom’s character, Pike, dangling on a line on the side of a building and dropping 80 feet for a scene. Bloom wasn’t the only member of the cast to embrace the physical aspects of the film. Bradley Cooper convinced the filmmakers and stunt coordinators to let him in on the action in a number of scenes, including a hair-raising episode where he is hanging under a semi as the truck is hurtling down a road.
Several sets were used to create the setting for the climactic third act, which in the story plays out on the Long Beach Docks. The logistically-complicated sequence, which involved, among other stunts and pyrotechnics, the explosion of a large container ship, was captured in two different locations over a period of several weeks. The production was granted access to film at the Vancouver Docks where the main unit filmed for two days before returning to the soundstage and a set replicating the aftermath of the explosion.
Spectacular in both scope and design, ‘Container World’ was a massive engineering feat with 30 shipping containers stacked and cantilevered in such a way as to safely allow the explosive action and cat and mouse choreography of the scene to be played out over the final two weeks filming.
While filming in Vancouver, the production made use of a number of landmark locations including the Wosk Center for Dialogue, which provided the backdrop for the court scene where the military tribunal convenes to try the A-Team. Other notable locations included the Kent Correctional Institution, a Maximum Security Prison that allowed the filmmakers to bring verisimilitude to the scene where Lynch goes to meet with an incarcerated Hannibal; and a waterside location off the famed Sea-to- Sky Highway which winds through the mountains and connects Vancouver to Whistler, providing the breathtaking backdrop for the Safe House where Hannibal and his men map out their plan after escaping from prison.
 Production notes provided by 20th Century Fox. |
RSS Feed XML Sitemap HTML Sitemap Privacy Policy
The A-Team